It’s still got its eye-roll moments, but Gran Turismo: Based on a True Story is popcorn entertainment of a higher order than you might predict. True story.
Cobweb satisfies a very particular horror hunger. If you’re in the mood for something overblown and silly that - somehow - doesn’t lose its capability to thrill, then this is quite the meal.
Expend4bles feels like it was made with a gun to Sly’s head. It’s not filled with joy and silliness: it’s filled with compromises and the same-old, same-old.
Where does Poirot go from here? A mediocre box office suggests this might be his last outing. But there’s a tinge of sadness to that: with A Haunting in Venice, it finally felt like Poirot was going somewhere interesting.
The best way to enjoy Mother, May I? is to arrive with the correct assumptions. This is not a horror movie. It doesn’t even tickle the hairs on the back of the neck.
As much as we would like it to be, this is not a film adaptation of the 2016 Playdead video game. Willem Dafoe as the kid from Inside would have been something to see.
Talented actors and heightened martial arts stop Knights of the Zodiac from tumbling into the pit marked ‘Dragonball Evolution and The Last Airbender’.
There’s no doubting that Haunting of the Queen Mary is ambitious, trying with all its might to include multiple timelines, subplots and realities in a single indie horror movie.
Vindicta isn’t unutterably bad. It has the decency to chuck in some gruesome deaths and tongue-in-cheek dialogue. But in the attempt to be a modern day Se7en, Vindicta is a two, at best.
